As I work on my mystery, I’ve realized that at some point I will have to write a synopsis. In all reality, while I don’t love writing a synopsis, it isn’t the worst thing every and it just got easier. Last week, I read this post on using your story beats to create a 1 page synopsis.
The way I was taught to use the term, a beat is a unit of action. Think about the 3 Little Pigs.
Wolf knocks on door and calls, “Little pig, little pig let me in.”
The pig replies, “Not by the hair of my chinny chin chin.”
The wolf responds, “Then I’ll huff and I’ll puff and I’ll blow your house down.
Wolf blows said house down.
As you can see, that’s going to be a lot of beats. How can that possibly make it easier to write a one page synopsis?
Read the original post and you’ll realize that what she calls a beat, many of us were taught to call a turning point. That greatly reduces the number of things you have to include.
The hook that pulls your reader into the story.
The inciting incident that sets the story in motion.
The event that forces the protagonist to take action.
The turning point or tipping point during whicn your character crosses the point of no return.
Character’s reaction to the tipping point.
First pinch point or stress point. The antagonist does something that narrows the protagonist’s options. And see what this does? It brings the antagonist into the synopsis!
Turning point at the middle of the story. This is where your protagonist quits reacting and takes charge. This is marked by a strong action of some kind.
Another stress or point point.
The dark moment. This leads to the climax and we wonder if all is lost.
Your character regroups and makes a new plan.
Climax – the big battle scene/final confrontation/maximum drama.
Come up with these points for your novel and you will find that your synopsis will be much easier to write. Try doing it for a favorite book or movie and see how quickly it comes together.
Sometimes I outline. Sometimes I pants. Admittedly, I pants most often on short pieces, especially nonfiction. Longer nonfiction has an outline but it isn’t very complete. I am definitely outlining my current fiction project because it is a mystery and an adult mystery at that. There is no way I’ll manage to keep it all straight without an outline.
So how do you go about creating an outline in 5 minutes? You don’t. Instead you work on it in 5 minute increments. It isn’t as hard as you might think. I just completed #2 below and I already have 15 scenes.
Do you have the turning points or big moments in your story? Jot those down in chronological order.
Do your turning points have complications? Add those in at the appropriate points in time.
What about things that happened before your story? The essential bits of character back story. This can help you determine why one character doesn’t trust another and, essential in a mystery, the reasons for all the mistrust. Go ahead and jot those scenes down too in the order in which they happened. No, they may not all become scenes but that’s okay. Keep track of them along with your scenes.
Take a good luck at your pivotal scenes. What is likely to happen before this? After this? Write it down.
In my case, I’m working on a mystery. I need to add the murders events in as well as they fit within the larger timelines. No, I may not write any of them up, but I need to keep track of them within the larger structure.
Starting from the top, see where you have too great a gap between one scene and the next. Ask yourself questions to fill them in.
Admittedly I have a love/hate relationship with outlining fiction. I worry that it will destroy any spontaneity but I also have to acknowledge that especially with a mystery this is essential.
As I get ready for NaNoWriMo, the last step that I’m confronted with is creating an outline. There are several different types of outlines that you can create. Each one is “the only way to do it,” according to one group of writers or another. Here are two of the most common.
Scene outline. Some writers outline their novel scene by scene. This means coming up with a list of events that take place in your story. It gives some writers the safety net they need. For others it saps their creativity.
Plot Point Structure. Other writers create more of a plot point structure. This is similar to a scene list but makes sure that certain key events are present and accounted for in the most effective order. This is what I’m creating for Iron Mountain. The plot points that I need to note are:
Act 1. (Roughly 25% of the story)
The hook: Pull your reader into the story. Get the reader to start asking questions.
Inciting Event: This event sets the story in motion and leads to …
The Key Event: The event that forces the protagonist to take action.
1st Plot Point: This is either at the end of Act 1 or beginning of Act 2. There is a change of surroundings. It is a personal turning point for the protagonist. From here there is no turning back. The main character is driven out of her comfort zone and into the world of the story. Some people call this the “Tipping Point.”
Act 2. (Roughly 50% of the story)
Strong Reaction: The character has a strong response to the 1st plot point.
First Pinch point: Sometimes called a “Stress point.” This is where the antagonist makes his reach and power known. He does something that narrows the protagonist’s choices.
Turning Point/Second Plot Point: This marks the midpoint of the novel. It should be about halfway through the story. There should be a change of direction for the characters. This is where your protagonist quits reacting and starts acting. She takes charge.
Strong Action: This new direction and stepping out on the part of the Protagonist is expressed through a strong action.
Second Pinch Point: Sometimes called a stress point. Once again the antagonist makes his power known and he again narrows the protagonist’s choices.
Third Plot Point. This comes at the end of the 2nd act, beginning of the 3rd act. Things are set forward leading to the climax. This is a low point for the protagonist. Perhaps she has been confronted again by the antagonist and lost. There could be a betrayal. Her confidence is shaken.
Act 3: This is where the pace picks up as we move toward the climax. (Roughly 25% of the story)
Plan. Your character has taken some time to regroup and now has a new plan of action.
Climatic Moment. This point is the highest point in the drama of the story. It fulfills the dramatic promise.
Wrap up. Wait! Things aren’t over yet. Here’s where the reader finds out what happens next for your characters.
Some people start with the plot point outline and then move into a scene outline. That’s what I’m going to try to do. Wish me luck!